Jun is a very intelligent little girl who spends her time arranging all kinds of inventions. It goes until creating two small robots, Kichinosuke and Yukinojo, who become her best friends. Because of her intelligence, Jun gets into college at a young age and she meets and falls in love with a boy from her class who's called Zero. Zero is interested in motorbikes and not in school and is accustomed to not attending the courses. He got delayed in his schooling and thus is found much older than the other students and is there for humiliated for it. On the other hand Jun is way too young and little to be in college and is made fun of. Thanks to their common passion for mechanics, Zero will sympathize with Jun and will agree to dine with her in Harbor, the restaurant where Jun's parents live. This is long series of fun adventures and arguments that little Jun will make to allure her charming prince, who's twice older than her. (Source: ANN)

While performing in a movie at Toei Eigamura, Kinnikuman suddenly disappears. Somehow, he has been sent to Edo Period Japan. In Edo Japan, a villain called Shuten Douji (朱天童子) is threatening to destroy the Earth if he is not given Princess Mari. Always willing to impress a pretty girl, Kinnikuman immediately vows to destroy Shuten Doji. He disguises himself as Princess Mari and goes to meet Shuten Doji, but Shuten Doji and his Big Four (四天王, Shitennou) see through Kinnikuman's disguise and beat him up. Aware of Kinnikuman's situation, Terryman, Robin Mask, and the other Seigi Choujins travel to Edo Japan (via Kinkotsu-obaba's powers). (Source: Kinnikuman Wiki)

Short film by Yamamura Kouji.

The Chocolate Panic Picture Show is a wacky musical OVA based on a manga by Fujiwara Kamui, serialised in Monthly Super Action and partly inspired by Jamie Uys's The Gods Must Be Crazy (1980). Follow Manbo, Chinbo and Chonbo as they are flung into a strange, psychedelic world of madness they don't understand. See them cause chaos through their zany, unpredictable antics in this comical take on cultural imperialism.