The story follows Benio Haikara-san Hanamura, who lost her mother when she was very young and has been raised by her father, a high-ranking official in the Japanese army. As a result, she has grown into a tomboy—contrary to traditional Japanese notions of femininity, she studies kendo, drinks sake, dresses in often outlandish-looking Western fashions instead of the traditional kimono, and is not as interested in housework as she is in literature. She also rejects the idea of arranged marriages and believes in a woman's right to a career and to marry for love. (Source: ANN)

The story follows Benio Haikara-san Hanamura, who lost her mother when she was very young and has been raised by her father, a high-ranking official in the Japanese army. As a result, she has grown into a tomboy. Contrary to traditional Japanese notions of femininity, she studies kendo, drinks sake, dresses in often outlandish-looking Western fashions instead of the traditional kimono, and is not as interested in housework as she is in literature. She also rejects the idea of arranged marriages and believes in a woman's right to a career and to marry for love. (Source: ANN)

Adaptation of the short story written by Manta Aisora for the first issue of GA Bunko magazine.

Nanafa Kyan lives in Okinawa with her grandmother who runs the Kame Soba soba shop, her beautiful older sister Nao who is in high school, and her younger sister Kokona, who is in elementary school and has a strong ability to sense the supernatural. One day, Nanafa witnesses a seal fall off of a Chinese banyan tree, and three spirits who live in that tree are unleashed. These spirits include Niina and Raana, who are jimunaa spirits. The third spirit is Iina, who is an incarnation of an Okinawan lion statue. As spirits start appearing one after another, the peaceful life of Nanafa and her family begins to change. (Source: ANN)