After reminiscing about his late grandmother, Nobita Nobi wishes to see her again and asks Doraemon to return them to the past. Following the wholesome reunion of the two, Nobita's grandmother confesses that she hopes to meet his future bride. Nobita accepts her request out of filial love and quickly scrambles into the time machine as he and Doraemon journey forward in time. However, when the duo warps to Nobita's wedding day, they discover that the future Nobita is missing from the ceremony! Determined to set things right, Doraemon and Nobita embark on a mission to search for Nobita's future self and encourage him to discover the happiness he deserves.

20-year-old Michiru Amatsuki moved to Tokyo after a career change, and now finds herself living in a woman only share house, Stella House Haruno, with a few other women of varying age and occupation. Every night the girls settle down and have a drink or two (or more) as drama ensues.

Based on a seinen manga by Kikuchi Naoe and Yokomi Hirohiko, serialised in IKKI. The story is that a manga artist is asked by her boss to accompany him and a travel-writer on various train trips around Japan and draw a manga about it. The kicker though, is that it's completely non-fiction —the creator really did go on all these trips, and the manga simply records what happened, with no embellishment. There's a little disclaimer at the front that says This is non-fiction, so I apologize for the lack of drama, and indeed, it mostly is just about them riding trains from place to place, waiting on platforms, etc. The travel writer turns out to be a super train-otaku who has vast knowledge of the train network, but also micro-manages all their trips, planning every detail down to the second. He cares mostly about following the schedule and successfully achieving his planned goals (e.g. visiting all stations on a line in a completely bizarre order to accomodate infrequent trains). The mangaka doesn't really care about trains; she's cynical, sarcastic, and rather lazy (she mainly just looks forward to the next eki-ben); he's completely gung-ho as long as he's following the schedule, and the inevitable conflicts are pretty entertaining. Throughout, though, it feels real —if you've travelled by train in Japan it will all seem very familiar, not just the scenery, but also the atmosphere and feel— and the artist does a great job of pacing and applying little tweaks to keep it consistently entertaining. In an additional bit of recursiveness, some of the characters who show up in the manga (who of course are real people, who really did show up) do so because they (really) read previous episodes of the manga! In addition of course, you can learn about various out of the way and interesting Japanese train lines and stations; some of them really do look cool. There's always this vague sense of surreality about it however, the trips are all planned by the train-guy (goal: visit all 9,843 stations in Japan) who seems to consider everything as part of a checklist rather than an experience to be enjoyed. You learn a bit about train-otaku culture too; there's really only the one guy in the story, but train-otaku culture is a sort of constant peripheral presence. (Source: AniDB)

Following the Ryunka disaster, Tokyo is left in a period of social turmoil. To make matters worse, the group of aliens directly responsible for the catastrophic event have escaped from the Space Federation and are hiding on Earth. Still sharing a body, Space Federation officer Birdy Cephon Altera, and high schooler, Tsutomu Senkawa, are tasked with capturing the fugitives and bringing them to justice. However, an unexpected crisis develops when the outlaws become targets of an unknown assassin with a vendetta. Now Birdy must deal with the chaos of everyday life and also uncover the identity of the assassin before more escapees fall victim.