In the Underworld, during the fight against Hades, the 12 Gold Saints gave up their lives to destroy the Wailing Wall and allow Seiya and his friends to keep moving forward. Aioria and the Gold Saints, who should have disappeared, come back to life in this beautiful Earth full of light. How have they resurrected if they were supposed to be dead? While the big mystery remains, Aioria gets involved in a new battle and when his Cosmo exceeds its limits... a change happens to the Leo Cloth! (Source: AniChart/AniList)

A single episode OVA released with the 14th volume of the Saki manga, consisting of 4-koma gags featuring characters from the first season. The two pros meet up at a family restaurant. The captains of the four teams prepare for a joint training camp. Ikeda keeps her little sisters occupied. The Tsuruga team goes on an unplanned camping trip. Ryuumonbuchi celebrate Koromo's birthday. (Source: ANN)

When Shoutarou Tatewaki first meets Sakurako Kujou, he knows his life will never be the same. Initially believing her to be responsible for a disappearance in the neighborhood, he later learns of her true talent: analyzing bone specimens. Sakurako has quite the collection of reconstructed animal bones, but she wishes she had more of the human variety, much to the chagrin of those around her. Soon, Shoutarou begins accompanying the eccentric osteologist on the many different unsolved cases she comes across—usually in the form of decomposing bodies. But with so many incidents happening around them, could there be a larger mystery at work in their lives? Sakurako-san no Ashimoto ni wa Shitai ga Umatteiru is a story of two unlikely partners, each showing in their own way that bones can tell how one died, but only people can tell how they lived.

The time: 1814. The place: Edo, now known as Tokyo. One of the highest populated cities in the world, teeming with peasants, samurai, townsmen, merchants, nobles, artists, courtesans, and perhaps even supernatural things. A much accomplished artist of his time and now in his mid-fifties, Tetsuzo can boast clients from all over Japan, and tirelessly works in the garbage-loaded chaos of his house-atelier. He spends his days creating astounding pieces of art, from a giant-size Bodhidharma portrayed on a 180 square meter-wide sheet of paper, to a pair of sparrows painted on a tiny rice grain. Short-tempered, utterly sarcastic, with no passion for sake or money, he would charge a fortune for any job he is not really interested in. Third of Tetsuzo's four daughters and born out of his second marriage, outspoken 23-year-old O-Ei has inherited her father's talent and stubbornness, and very often she would paint instead of him, though uncredited. Her art is so powerful that sometimes leads to trouble. We're father and daughter; with two brushes and four chopsticks, I guess we can always manage, in a way or another. Decades later, Europe was going to discover the immense talent of Tetsuzo. He was to become best known by one of his many names: Katsushika Hokusai. He would mesmerize Renoir and van Gogh, Monet and Klimt. However, very few today are even aware of the woman who assisted him all his life, and greatly contributed to his art while remaining uncredited. This is the untold story of O-Ei, Master Hokusai's daughter: a lively portrayal of a free-spirited woman overshadowed by her larger-than-life father, unfolding through the changing seasons. (Source: Production I.G)