While testing out his camera on a bridge one summer night, Kaito Kirishima sees a blue light streaking across the sky, only to be blown off the railing seconds later. Just before succumbing to unconsciousness, a hand reaches down to grab ahold of his own. Dazed and confused, Kaito wakes up the next morning wondering how he ended up back in his own room with no apparent injuries or any recollection of the night before. As he proceeds with his normal school life, Kaito and his friends discuss what to do with his camera, finally deciding to make a film with it over their upcoming summer break. Noticing that Kaito has an interest in the new upperclassmen Ichika Takatsuki, his friend Tetsurou Ishigaki decides to invite her, as well as her friend Remon Yamano, to join them in their movie project. In what becomes one of the most entertaining and exciting summers of their lives, Kaito and his friends find that their time spent together is not just about creating a film, but something much more meaningful that will force them to confront their true feelings and each other.

Following an all-out battle with the Paranormal Liberation Front, it is difficult for the people of Japan to continue placing faith in their heroes. To combat the combined power of Tomura Shigaraki and All For One, All Might calls for his ally from the West—the strongest woman on the planet, Star and Stripe. However, All For One decides to intercept Star and her fleet to get his hands on her overpowered quirk before she can enter Japanese airspace. Although Endeavor, Hawks, and Best Jeanist are headed to the rendezvous point, Star makes a gamble in the present to save her comrades.

Midori Asakusa sees the world a bit differently. Always having her nose in a sketchbook, Asakusa draws detailed landscapes and backgrounds of both the world around her and the one within her boundless imagination. Even the simple act of doodling on a wall evolves into an emergency repair on the outer hull of her spaceship. She is only brought back to reality by her best friend Sayaka Kanamori. The pair are stark opposites, with Asakusa's childlike wonder contrasted by Kanamori's calculated approach to life. After a chance encounter where the two save the young model Tsubame Misuzaki from her overprotective bodyguard, a connection instantly sparks between Asakusa and Misuzaki, as both share an intense passion for art and animation. Whereas Asakusa is interested in backgrounds and settings, Misuzaki loves drawing the human form. Sensing a money-making opportunity, Kanamori suggests that they start an animation club, which they disguise as a motion picture club since the school already has an anime club. Thus begins the trio's journey of producing animation that will awe the world. From the brilliant mind of Masaaki Yuasa, Eizouken ni wa Te wo Dasu na! is a love letter to animation, wildly creative in its approach, and a testament to the potential of the medium.

Brought up in a conflict-ridden environment, child soldier Jonathan Jonah Mar hates weapons and those who deal them. But when Koko Hekmatyar, an international arms dealer, takes on Jonah as one of her bodyguards, he has little choice but to take up arms. Along with Koko's other bodyguards, composed mostly of former special-ops soldiers, Jonah is now tasked with protecting Koko and her overly idealistic goal of world peace from the countless dangers that come from her line of work. Jormungand follows Koko, Jonah, and the rest of crew as they travel the world selling weapons under the international shipping company HCLI. As Koko's work is illegal under international law, she is forced to constantly sidestep both local and international authorities while doing business with armies, private militaries, and militias. With the CIA always hot on her trail, and assassins around every corner, Jonah and the crew must guard Koko and her dream of world peace with their lives or die trying.